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#artwriting

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CIRCA Art Magazine<p>“Unsurprisingly, this brash ignorance of an entire (sub-)domain of art triggered a cauldron of boiling responses from various critics…” – Laurence Counihan in his recent Circa text, ‘Introduction to «an_archaeology_of_the_future»‘</p><p><a href="http://cmag.cc/20691" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="">cmag.cc/20691</span><span class="invisible"></span></a></p><p><a href="https://mastodon.ie/tags/VisualArts" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>VisualArts</span></a> <a href="https://mastodon.ie/tags/Ireland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Ireland</span></a> <a href="https://mastodon.ie/tags/NorthernIreland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NorthernIreland</span></a> <a href="https://mastodon.ie/tags/ArtIreland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtIreland</span></a> <a href="https://mastodon.ie/tags/Mastodaoine" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Mastodaoine</span></a> <a href="https://mastodon.ie/tags/ArtCriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtCriticism</span></a> <a href="https://mastodon.ie/tags/ArtWriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtWriting</span></a> <a href="https://mastodon.ie/tags/CIRCA" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CIRCA</span></a></p>
Michaele Cutaya<p>Really wild to have the piece Cecilia Danell and I have collaborated on, ‘DISTURBANCE – Heracleum Mantegazzianum’, published by Minor Literature[s]! The essay is an ode to the little-liked giant hogweed and to the writings of gardener philosopher Gilles Clément. Massive thanks to the editors.<br><a href="https://mastodon.ie/tags/artwriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>artwriting</span></a> <a href="https://mastodon.ie/tags/botany" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>botany</span></a> </p><p><a href="https://minorliteratures.com/2025/04/24/disturbance-heracleum-mantegazzianum-art-by-cecilia-danell-words-by-michaele-cutaya/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">minorliteratures.com/2025/04/2</span><span class="invisible">4/disturbance-heracleum-mantegazzianum-art-by-cecilia-danell-words-by-michaele-cutaya/</span></a></p>
CIRCA Art Magazine<p>Philately meets brutality, unfortunately, in the work of FX Harsono, discussed by Prioni </p><p><a href="https://mastodon.ie/tags/VisualArts" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>VisualArts</span></a> <a href="https://mastodon.ie/tags/Ireland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Ireland</span></a> <a href="https://mastodon.ie/tags/NorthernIreland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NorthernIreland</span></a> <a href="https://mastodon.ie/tags/ArtIreland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtIreland</span></a> <a href="https://mastodon.ie/tags/ArtCriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtCriticism</span></a> <a href="https://mastodon.ie/tags/ArtWriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtWriting</span></a> <a href="https://mastodon.ie/tags/CIRCA" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CIRCA</span></a> </p><p>Content warning: some images are upsetting<br>cmag.cc/20843</p>
CIRCA Art Magazine<p>Prioni juxtaposes the photographic approaches of René Castro and Manit Sriwanichpoom; photo-based, one looks to the (then) future, the other mocks the (then) present</p><p><a href="https://mastodon.ie/tags/VisualArts" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>VisualArts</span></a> <a href="https://mastodon.ie/tags/Ireland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Ireland</span></a> <a href="https://mastodon.ie/tags/NorthernIreland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NorthernIreland</span></a> <a href="https://mastodon.ie/tags/ArtIreland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtIreland</span></a> <a href="https://mastodon.ie/tags/ArtCriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtCriticism</span></a> <a href="https://mastodon.ie/tags/ArtWriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtWriting</span></a> <a href="https://mastodon.ie/tags/CIRCA" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CIRCA</span></a> </p><p>Content warning: some images are upsetting<br>cmag.cc/20843</p>
CIRCA Art Magazine<p>The thesis of Amirahvelda Priyono’s new photo essay for Circa, commissioned by Brian Curtin, is straightforward: conflict is similar the world over; not denying the specifics of a given struggle, art-related visual imagery is a powerful communicator across cultures.<br>Content warning: some of the images are upsetting.</p><p><a href="http://cmag.cc/20843" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="">cmag.cc/20843</span><span class="invisible"></span></a></p><p><a href="https://mastodon.ie/tags/VisualArts" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>VisualArts</span></a> <a href="https://mastodon.ie/tags/Ireland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Ireland</span></a> <a href="https://mastodon.ie/tags/NorthernIreland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NorthernIreland</span></a> <a href="https://mastodon.ie/tags/ArtIreland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtIreland</span></a> <a href="https://mastodon.ie/tags/Mastodaoine" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Mastodaoine</span></a> <a href="https://mastodon.ie/tags/ArtCriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtCriticism</span></a> <a href="https://mastodon.ie/tags/ArtWriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtWriting</span></a></p>
CIRCA Art Magazine<p>‘The blank page was the most complete the work could be…’ Landers drew from a Circa column in 1999 by Michael Cunningham; while demonstrating the power of less, he also points to one very shocking image…<br><a href="https://circaartmagazine.net/issues/issue87/?pg=7" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">circaartmagazine.net/issues/is</span><span class="invisible">sue87/?pg=7</span></a><br><a href="https://mastodon.ie/tags/VisualArts" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>VisualArts</span></a> <a href="https://mastodon.ie/tags/Ireland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Ireland</span></a> <a href="https://mastodon.ie/tags/NorthernIreland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NorthernIreland</span></a> <a href="https://mastodon.ie/tags/ArtIreland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtIreland</span></a> <a href="https://mastodon.ie/tags/ArtCriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtCriticism</span></a> <a href="https://mastodon.ie/tags/ArtWriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtWriting</span></a> <a href="https://mastodon.ie/tags/CIRCA" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CIRCA</span></a></p>
CIRCA Art Magazine<p>"The blank page was the most complete the work could be…" Landers drew from a Circa column in 1999 by Michael Cunningham; while demonstrating the power of less, he also points to one very shocking image…<br><a href="https://circaartmagazine.net/issues/issue87/?pg=7" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">circaartmagazine.net/issues/is</span><span class="invisible">sue87/?pg=7</span></a><br><a href="https://mastodon.ie/tags/VisualArts" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>VisualArts</span></a> <a href="https://mastodon.ie/tags/Ireland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Ireland</span></a> <a href="https://mastodon.ie/tags/NorthernIreland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NorthernIreland</span></a> <a href="https://mastodon.ie/tags/ArtIreland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtIreland</span></a> <a href="https://mastodon.ie/tags/Mastodaoine" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Mastodaoine</span></a> <a href="https://mastodon.ie/tags/ArtCriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtCriticism</span></a> <a href="https://mastodon.ie/tags/ArtWriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtWriting</span></a> <a href="https://mastodon.ie/tags/CIRCA" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CIRCA</span></a></p><p>NB: Content warning re ALT text</p>
CIRCA Art Magazine<p>In Julie Landers‘ ‘Information Underload’, a new text / art project for Circa commissioned by Laurence Counihan, the artist reverse-engineers the ‘bloat’ of her nostalgia as she observes Cork mutate<br><a href="https://cmag.cc/20800" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">cmag.cc/20800</span><span class="invisible"></span></a><br><a href="https://mastodon.ie/tags/VisualArts" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>VisualArts</span></a> <a href="https://mastodon.ie/tags/Ireland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Ireland</span></a> <a href="https://mastodon.ie/tags/NorthernIreland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NorthernIreland</span></a> <a href="https://mastodon.ie/tags/ArtIreland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtIreland</span></a> <a href="https://mastodon.ie/tags/ArtCriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtCriticism</span></a> <a href="https://mastodon.ie/tags/ArtWriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtWriting</span></a> <a href="https://mastodon.ie/tags/CIRCA" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CIRCA</span></a></p>
CIRCA Art Magazine<p>One of the Circa texts Nurul Kaiyisah targets, re “the lacuna of women in art histories,” is that of Anne Carlisle on Vivien Burnside back in 1984 (<a href="https://circaartmagazine.net/issues/issue17/?pg=32&amp;dbl=y" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">circaartmagazine.net/issues/is</span><span class="invisible">sue17/?pg=32&amp;dbl=y</span></a>); quite robust by Anne Carlisle!<br><a href="https://mastodon.ie/tags/VisualArts" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>VisualArts</span></a> <a href="https://mastodon.ie/tags/Ireland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Ireland</span></a> <a href="https://mastodon.ie/tags/NorthernIreland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NorthernIreland</span></a> <a href="https://mastodon.ie/tags/ArtIreland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtIreland</span></a> <a href="https://mastodon.ie/tags/ArtCriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtCriticism</span></a> <a href="https://mastodon.ie/tags/ArtWriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtWriting</span></a> <a href="https://mastodon.ie/tags/Circa" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Circa</span></a></p>
CIRCA Art Magazine<p>Exploring women and art in the two regions, Kaiyisah draws from Circa’s huge archive –&nbsp;e.g., Jack Packenham on Alice Maher (<a href="https://circaartmagazine.net/issues/issue39?pg=38" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">circaartmagazine.net/issues/is</span><span class="invisible">sue39?pg=38</span></a>), Fionna Barber on Sonia Boyce (<a href="https://circaartmagazine.net/issues/issue34?pg=40" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">circaartmagazine.net/issues/is</span><span class="invisible">sue34?pg=40</span></a>), and more –&nbsp;but also juxtaposes global issues of then and now</p><p><a href="https://mastodon.ie/tags/VisualArts" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>VisualArts</span></a> <a href="https://mastodon.ie/tags/Ireland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Ireland</span></a> <a href="https://mastodon.ie/tags/NorthernIreland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NorthernIreland</span></a> <a href="https://mastodon.ie/tags/ArtIreland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtIreland</span></a> <a href="https://mastodon.ie/tags/ArtCriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtCriticism</span></a> <a href="https://mastodon.ie/tags/ArtWriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtWriting</span></a> <a href="https://mastodon.ie/tags/CIRCA" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CIRCA</span></a> <a href="https://mastodon.ie/tags/mastodaoine" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>mastodaoine</span></a></p>
CIRCA Art Magazine<p>Fascinating new ‘letter’ by Singapore-based Nurul Kaiyisah, in which she juxtaposes a former Ireland and a current South-east Asia. Part of the ‘Travelling South, in Theory’ series commission by Brian Curtin. <a href="https://circaartmagazine.net?p=20639" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">circaartmagazine.net?p=20639</span><span class="invisible"></span></a><br><a href="https://mastodon.ie/tags/VisualArts" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>VisualArts</span></a> <a href="https://mastodon.ie/tags/Ireland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Ireland</span></a> <a href="https://mastodon.ie/tags/NorthernIreland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NorthernIreland</span></a> <a href="https://mastodon.ie/tags/ArtIreland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtIreland</span></a> <a href="https://mastodon.ie/tags/ArtCriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtCriticism</span></a> <a href="https://mastodon.ie/tags/ArtWriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtWriting</span></a> <a href="https://mastodon.ie/tags/CIRCA" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CIRCA</span></a></p>
Marjorie H Morgan<p>Feb 24 issue of The Fourdrinier: Ladders, boardwalks and turning circles: writer Marjorie H Morgan reviews Jo Lathwood: Making Up at The Lowry</p><p><a href="https://mas.to/tags/TheLowry" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TheLowry</span></a> <a href="https://mas.to/tags/JoLathwood" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>JoLathwood</span></a> <a href="https://mas.to/tags/TheFourdrinier" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TheFourdrinier</span></a> <a href="https://mas.to/tags/PaperGallery" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PaperGallery</span></a> <a href="https://mas.to/tags/AceNational" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AceNational</span></a> <a href="https://mas.to/tags/ArtWriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtWriting</span></a> </p><p><a href="https://www.thefourdrinier.com/review-feb-2024-jo-lathwood" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">thefourdrinier.com/review-feb-</span><span class="invisible">2024-jo-lathwood</span></a></p>
Marjorie H Morgan<p>Part Two of the Lubaina Himid interview:</p><p><a href="https://www.thefourdrinier.com/lubaina-himid-a-fine-toothed-comb-interview-part-two" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">thefourdrinier.com/lubaina-him</span><span class="invisible">id-a-fine-toothed-comb-interview-part-two</span></a></p><p><a href="https://mas.to/tags/artwriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>artwriting</span></a> <a href="https://mas.to/tags/LubainaHimid" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>LubainaHimid</span></a> <a href="https://mas.to/tags/AFineToothedComb" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AFineToothedComb</span></a> <a href="https://mas.to/tags/Manchester" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Manchester</span></a> <a href="https://mas.to/tags/HOME" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>HOME</span></a> <a href="https://mas.to/tags/Writer" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Writer</span></a></p>
Sal Randolph<p>I wrote about Sarah Sze and having a bout of Stendhal Syndrome — the semi-mythical disorder, the swooning dizziness or collapse that comes from seeing too much art.</p><p><a href="https://zirk.us/tags/Art" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Art</span></a> <a href="https://zirk.us/tags/Museum" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Museum</span></a> <a href="https://zirk.us/tags/ArtWriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtWriting</span></a> </p><p><a href="https://uses.substack.com/p/sarah-szes-superabundance" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">uses.substack.com/p/sarah-szes</span><span class="invisible">-superabundance</span></a></p>
Marjorie H Morgan<p>Oct issue of the Fourdrinier</p><p>: 3 brand new pieces of writing – interview with Lubaina Himid / Passing Cloud a serialised journal / Immersive Watergrove review! </p><p> </p><p><span class="h-card" translate="no"><a href="https://mas.to/@MarjorieMorgan" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>MarjorieMorgan</span></a></span></p><p> </p><p> <a href="https://mas.to/tags/artwriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>artwriting</span></a> <a href="https://mas.to/tags/LubainaHimid" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>LubainaHimid</span></a> <a href="https://mas.to/tags/AFineToothedComb" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AFineToothedComb</span></a> <a href="https://mas.to/tags/Manchester" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Manchester</span></a> <a href="https://mas.to/tags/HOME" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>HOME</span></a> <a href="https://mas.to/tags/Writer" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Writer</span></a> </p><p><a href="https://www.thefourdrinier.com/lubaina-himid-a-fine-toothed-comb-interview-part-one" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">thefourdrinier.com/lubaina-him</span><span class="invisible">id-a-fine-toothed-comb-interview-part-one</span></a></p>
Sal Randolph<p>As I’ve experimented with making “memory objects” from works of art I’ve seen, I’ve come to feel that time and repetition are crucial ingredients. When I try again with the same object, or let more time pass, I see a melding of self and object, a third thing which is neither me nor the work.</p><p><a href="https://zirk.us/tags/Art" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Art</span></a> <a href="https://zirk.us/tags/Painting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Painting</span></a> <a href="https://zirk.us/tags/ArtWriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtWriting</span></a> </p><p><a href="https://uses.substack.com/p/shivering-memory" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">uses.substack.com/p/shivering-</span><span class="invisible">memory</span></a></p>
Sal Randolph<p>New post up! On spectacle, attentional gradients, and Marina Abramović. <a href="https://zirk.us/tags/Art" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Art</span></a> <a href="https://zirk.us/tags/ArtWriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtWriting</span></a> </p><p><a href="https://uses.substack.com/p/arena-and-spectacle" rel="nofollow noopener noreferrer" target="_blank"><span class="invisible">https://</span><span class="ellipsis">uses.substack.com/p/arena-and-</span><span class="invisible">spectacle</span></a></p>
Sal Randolph<p>I found the center of the gallery floor, closed my eyes, and spun slowly—first clockwise, then counterclockwise, then clockwise again until my sense of orientation began to fade. I held my arm out in front of me, and opened my eyes. My hand pointed directly to a vermillion red pot with a crawl glaze. I recognized it immediately from an earlier walk through the gallery. It felt a little bit fated: did I choose it, or did it choose me?</p><p><a href="https://zirk.us/tags/Art" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Art</span></a> <a href="https://zirk.us/tags/Ceramics" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Ceramics</span></a> <a href="https://zirk.us/tags/ArtWriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtWriting</span></a> </p><p><a href="https://uses.substack.com/p/oracle-pot" rel="nofollow noopener noreferrer" target="_blank"><span class="invisible">https://</span><span class="">uses.substack.com/p/oracle-pot</span><span class="invisible"></span></a></p>
Sal Randolph<p>New post up! Writing this week about the amazing mid-century ceramic work of Doyle Lane, a Black, gay potter who lived and worked in LA. </p><p>If you’re in NYC, catch the show while you can.</p><p><a href="https://zirk.us/tags/Art" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Art</span></a> <a href="https://zirk.us/tags/Ceramics" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Ceramics</span></a> <a href="https://zirk.us/tags/Pottery" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Pottery</span></a> <a href="https://zirk.us/tags/ArtWriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtWriting</span></a></p><p><a href="https://uses.substack.com/p/oracle-pot" rel="nofollow noopener noreferrer" target="_blank"><span class="invisible">https://</span><span class="">uses.substack.com/p/oracle-pot</span><span class="invisible"></span></a></p>
Sal Randolph<p>This week’s installment of “Ways of Seeing” takes inspiration from Martin Buber’s beautiful “I and Thou,” which points towards more intimate and beautiful ways of relating to art. to each other, to the world. <br><a href="https://zirk.us/tags/Art" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Art</span></a> <a href="https://zirk.us/tags/Seeing" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Seeing</span></a> <a href="https://zirk.us/tags/ArtWriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtWriting</span></a> <a href="https://zirk.us/tags/Trees" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Trees</span></a> </p><p><a href="https://open.substack.com/pub/uses/p/ways-of-seeing-2?r=8oef&amp;utm_medium=ios&amp;utm_campaign=post" rel="nofollow noopener noreferrer" target="_blank"><span class="invisible">https://</span><span class="ellipsis">open.substack.com/pub/uses/p/w</span><span class="invisible">ays-of-seeing-2?r=8oef&amp;utm_medium=ios&amp;utm_campaign=post</span></a></p>
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